However, Matangi isn’t all brash beats and spat vocals. This is best executed on ‘Y.A.L.A,’ which references both Drake and reincarnation in the space of a few minutes and features the lyric “I drink some Cointreau, keep it in my Poncho.” ‘Y.A.L.A’ is preceded by the shuffling, dub style juggernaut ‘Double Bubble Trouble’, the sister track to lead single ‘Bad Girls’ in terms of braggadocio and swaggering beats. Whilst undoubtedly loud and boisterous, the production on tracks like ‘Only 1 U’ remain subtle, blending traditional Sri Lankan style melodic hooks with contemporary trap and hip-hop oriented percussion and samples.Īs on previous work MIA’s lyrics are simple yet effective, communicating both her Sri Lankan heritage and her London upbringing in her use of slang and colloquial English. Matangi is an album without clear highlights the beats on every track are infectious and experimental yet manage to work in harmony with Maya’s vocals rather than outshine them. ![]() ![]() Meanwhile the record’s title track showcases MIA’s trademark irony at its best, demanding “if you’re gonna be me need a manifesto/if you ain’t got one you better get one presto.” It simultaneously manages to undercut the hip-hop tradition of putting down ‘haters’ and demand that those who feel compelled to emulate her to have substance behind their work. Short but sweet album opener ‘Karmageddon’ layers traditional eastern-influenced choral samples over a dubstep-esque bass line, setting the tone perfectly for the rest of the album. The lyrics throughout are both dripping in irony and sharp with political awareness and the production (handled by an all-star cast including former Major Lazer beat-master Switch) is some of the best to come out this year. Equal parts hip hop, UK Bass, punk and Bhangra, this is an album that isn’t afraid to wear its influences on its sleeve – and all for good reason, because MIA pulls of this amalgamation incredibly well. Lyrics © Kobalt Music Publishing Ltd., Sony/ATV Music Publishing LLC, Warner/Chappell Music, Inc.There are very few artists recording at the minute that draw from as many musical styles as MIA, and with Matangi she has surpassed herself. ![]() People perceive me as a problem due to my actions and reputation, which I acknowledge and own up to (People see me as trouble see me see me as trouble) (uh oh) I raised a child while wearing a headscarf, ate a banana on a plane, jumped on the bed, and fought imaginary enemies based on a story nobody knows Uh oh, you're facing consequences for your actions and I will intervene to stop you I step up in the game and I burst that bubble He recognizes that people see him as "trouble" but insists that they do not understand his motivations or character. The Weeknd's contribution to the track centers on the theme of being misunderstood. However, she uses these rumors to her advantage and cultivates a reputation that creates awe and fear in others. suggests that the stories surrounding her reputation are unreliable and based on hearsay. The lyrics "bouncing on the bed/ battling with heads/ it's based on a story that nobody read" is a reference to the game Heads Up Seven Up, which involves guessing the identity of a person based on minimal clues. She enjoys pushing boundaries and challenging what society perceives as acceptable behavior. is unapologetic and unafraid of taking risks. ![]() The lyrics "bought up a baby in a bandana/ I boarded a boeing eating a banana" suggest that M.I.A. then boasts of her ability to "burst that bubble" and shake things up. The song starts with the repetition of "Uh oh," which symbolizes the impending doom that comes with breaking the rules. and The Weeknd tackle the theme of reputation, perceived danger, and the consequences of being a disruptor.
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